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The Bassjo, also referred to as the banjo bass in a 2006 article featuring Les Claypool on the cover of Bassplayer Magazine [10] was made by luthier Dan Maloney. Maloney was a friend of Claypool's approximately ten years ago when Claypool asked him to construct a guitar with "a banjo body and a bass neck ("Les Does More" 43)."
Banjo guitar, also known as banjitar [1] or ganjo, [2] is a six-string banjo tuned in the standard tuning of a six-string guitar (E2-A2-D3-G3-B3-E4 from lowest to highest strings). The instrument is intended to allow guitar players to emulate a banjo, without learning the different tuning and fingering techniques required for the standard five ...
Later models may have 11" rims, a size that became a standard banjo rim size during the late 1920s. The body has a top made out of skin, real or synthetic, and usually an open back without a resonator. The banjeaurine has five strings, one of which is shorter than the others and is called the fifth string or thumb string.
Penco made Martin- and Gibson-style acoustic guitars. Reverse engineered and built to spec, some of the closest replicas of the Martin D-28, D-35, D-41, D-45, and D-45 12 models in existence today were made by Penco, as well as bolt-neck copies of Gibson's Les Paul and SG guitars and basses, Rickenbacker 4001 basses, Fender Stratocaster and Telecaster guitars, Fender Jazz bass guitars, 12 ...
The tunings and fingerings are also just like a banjo. The intention in creating the dojo was to give banjoists the opportunity to get a completely different sound without having to learn fingerings for an entirely new instrument. [2] Dojos have a much more mellow sound than a banjo, and plucked notes are sustained longer due to the resonator. [3]
Founding member (and the only one who was with the group from the beginning until the end), Charlie Waller played exclusively the acoustic guitar. There were other members of the group, who contributed with guitar playing from time to time, especially for the songs where banjo was omitted, or when the group needed to overdub an extra acoustic guitar.
Mark Johnson (born May 20, 1955) is an American banjoist credited with creating a style of five string banjo playing called Clawgrass, which incorporates bluegrass and clawhammer banjo styles as well as bluegrass guitar styles and bluegrass ensemble techniques. [1]
Samuel Swaim Stewart (January 8, 1855—April 6, 1898), also known as S. S. Stewart, was a musician, composer, publisher, and manufacturer of banjos. [3] He owned the S. S. Stewart Banjo Company, which was one of the largest banjo manufacturers in the 1890s, manufacturing tens-of-thousands of banjos annually. [4]