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The "meane" of chapter VIII in Christopher Tye's Actes of the Apostles of 1553.The latter half was adapted and used as the tune of "Winchester Old". "While shepherds watched their flocks" [1] is a traditional Christmas carol describing the Annunciation to the Shepherds, with words attributed to Irish hymnist, lyricist and England's Poet Laureate Nahum Tate. [2]
In order to fit, the third line is sung twice and the fourth three times as in "Grace 'tis a charming sound", "While Shepherds Watched Their Flocks" and "On Ilkla Moor baht 'at". Thomas Clark was a regular visitor to Cranbrook, Kent in the 1790s, and may have composed the tune there, possibly with the help of a local schoolmaster, John Francis.
It was later used as a tune for "While Shepherds Watched Their Flocks By Night"), but the "Ilkla Moor" song became so popular that the origin of the music as a hymn tune has been almost forgotten in the United Kingdom. [9
"While Shepherds Watched Their Flocks" (arranged by Arthur Warrell) [2:12] "The Coventry Carol" (arranged by Bryceson Treharne) [3:32] Side 2 "Silent Night, Holy Night" (music by Franz Gruber, words by Josef Mohr) [3:15] "Carol Of The Bells" (arranged by Peter J. Wilhousky, written by M. Leontovich) [1:30]
"While Shepherds Watched Their Flocks" (Words: Nahum Tate / Tune: Traditional, Roud 936) (5:17) Sung to one of the many traditional tunes found in Yorkshire - this version was collected from the singing of Walter Pardon. [4] "On Christmas Day It Happened So" (Traditional, Roud 1078) (2:43) From Hamer's "Garners Gay".
In November 2011, Rusby released a follow-up, entitled While Mortals Sleep (2011). The album was re-released on 9 November 2009 featuring new cover artwork by Marie Mills. [ 2 ] Sweet Bells, the carol featured on the album, is a carol peculiar to Yorkshire, based on the carol While Shepherds Watched Their Flocks by Night but with an alternative ...
John Foster (1752–1822) of High Green in the parish of Ecclesfield, West Riding of Yorkshire was a coroner and amateur musician. He composed two books of sacred music in a 19th-century classical style published between 1817 and 1822, Sacred Music [1] and A 2d Collection of Sacred Music. [2]
This carol and its melody were first transcribed from the singing of a villager in St Day in the parish of Gwennap: the lyrics are similar to those of "The Holly and the Ivy". In Anglican churches the church bands (a few local musicians providing accompaniment in services) were replaced by keyboard instruments (harmonium, piano or organ) and ...