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Below are her mainstream Hindi, Marathi, Tamil, Telugu, Kannada and Malayalam record lists. She has also released thousands of devotional Hindu albums including Gajanana, Aartiyan, Shri Sai Mantra, Shri Ram Mantra and Jai Ambe Maa to name a few. [1] Her 2015 Sai bhajan "Sai Ram Sai Shyam" has found immense popularity among devotees.
Saregama owns music repertoire across film music, non-film music, Carnatic, Hindustani classical, devotional music, etc. in over 25 Indian languages. The first song recorded in India by Gauhar Jaan in 1902 and the first film made in Bollywood ‘Alam Ara' in 1931 were under the music label. [citation needed] [6]
Ajit Kadkade is a devotional singer in Goa and Maharashtra, India. He was born in Bicholim city of Goa on January 11, 1951. He learnt Hindustani classical music from the famous singer Pt. Jitendra Abhisheki. Kadkade specializes in singing Marathi devotional songs , abhangs, natya sangeet and Hindustani classical music.
Teejan Bai was born in Ganiyari village, 14 kilometres (8.7 mi) north of Bhilai, to Chunuk Lal Pardhi and his wife Sukhwati. [5] She belongs to the Pardhi Scheduled Tribe of Chhattisgarh state.
Male cast. Sivaji Ganesan as Pandiyan; Gemini Ganesan as Moorthy; V. Nagayya (guest) as Butha Bhikshu; T. S. Balaiah (guest) as Sanyasi; K. A. Thangavelu as Parameswaran Pillai; Chandrababu as Kalaipithan
Shinde was born on 1933 in Mangalwedha village of Solapur to Bhagvanrao and Sonabai Shinde. He was the youngest child and had two elder brothers. He was introduced to music when he started accompanying his parents to do Kirtan and street singing to make the ends meet due to abject poverty.
Rupa defines bhakti as "Bhakti is said to be service to Krishna, by means of the senses. This service is free of all limitations, dedicated to Him and pure [of self-motive]." [ This quote needs a citation ] Jiva aligns closely with this, stating that bhakti is the preeminent path to attaining perfection through service.
Salabega composed numerous devotional songs but not all of them have survived. Most of his compositions are prayers and hymns to Jagannath and Krishna. A good number of these deal with the romantic dalliance of Krishna with the gopis and Radha, while a few are inspired by the vatsalya ras, the sweet, motherly feeling Yashoda had for little Krishna.