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Children often start by helping out with wool processing, and begin to knit mitts and socks around the age of ten. [15] Today, as in the past, most knitting is done by women. Men often play a role by making or repairing the spinners and carders, helping with the washing or carding of the wool, and helping the women sell their works. [15]
Tapestry crochet is sometimes called jacquard crochet, intarsia, mosaic, fair isle, and colorwork, but today these terms usually describe different techniques. Since the yarns are switched back and forth to create motifs, [ 1 ] tapestry crochet fabric looks more like it was woven on a loom than crocheted with a hook.
The origin of the word crewel is unknown but is thought to come from an ancient word describing the curl in the staple, the single hair of the wool. [5] The word crewel in the 1700s meant worsted, a wool yarn with twist, and thus crewel embroidery was not identified with particular styles of designs, but rather was embroidery with the use of this wool thread.
Crochet needles, sometimes called Shepherds' hooks, are made of steel, ivory, or box-wood. They have a hook at one end similar in shape to a fish-hook, by which the wool or silk is caught and drawn through the work. These instruments are to be procured of various sizes... [12] Two years later, the same author writes:
The Hestia Tapestry from Byzantine Egypt around 500–550, is a largely intact wool piece with many figures around the enthroned goddess Hestia, who is named in Greek letters. It is 114 x 136.5 cm (44.9 x 53.7 inches) with a rounded top, and was presumably hung in a home, showing the persistence of Greco-Roman paganism at this late date.
The Knit Knot Tree in Yellow Springs, Ohio Yarn bombing for a town festival in Romsey, Hampshire, England. Yarn bombing (or yarnbombing) is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk.
Close-up of an unfinished kalaga. Kalaga (Burmese: ကန့်လန့်ကာ) is a heavily embroidered appliqué tapestry made of silk, flannel, felt, wool and lace against a background made of cotton or velvet indigenous to Burma (Myanmar). [1]
The tapestry was designed by Andrew Crummy, son of Helen Crummy, who had previously designed the Battle of Prestonpans Tapestry and later the Scottish Diaspora Tapestry.It implements an idea of Scottish author Alexander McCall Smith for a grand tapestry to depict episodes from 12,000 years of the history of Scotland, after he had seen the Prestonpans Tapestry.