Ads
related to: piano sonatas #1 prokofiev symphony no 2 in c
Search results
Results From The WOW.Com Content Network
Prokofiev modeled the symphony's structure on Ludwig van Beethoven's last piano sonata : a tempestuous minor-key first movement followed by a set of variations. The first movement, in traditional sonata form , is rhythmically unrelenting, harmonically dissonant , and texturally thick.
Symphonies – two juvenile: Symphony (1902) and Symphony (1908) Symphony No. 1 in D Classical, Op. 25 (1916–17) Symphony No. 2 in D minor, Op. 40 (1924–25) Symphony No. 3 in C minor, Op. 44 (1928) Symphony No. 4 in C (original version), Op. 47 (1929–30) Symphony No. 5 in B ♭, Op. 100 (1944) Symphony No. 6 in E ♭ minor, Op. 111 (1945 ...
Pages in category "Piano sonatas by Sergei Prokofiev" ... This list may not reflect recent changes. P. Piano Sonata No. 1 (Prokofiev) Piano Sonata No. 2 (Prokofiev)
Sergei Prokofiev's Piano Sonata No. 2 in D Minor, Op. 14, is a sonata for solo piano, written in 1912. First published by P. Jurgenson in 1913, it was premiered on 5 February 1914 in Moscow with the composer performing.
Piano Quintet No. 2 (Fauré) Piano Sonata Hob. XVI/20; Piano Sonata No. 1 (Chopin) Piano Sonata No. 4 (Prokofiev) Piano Sonata No. 5 (Beethoven) Piano Sonata No. 8 (Beethoven) Piano Sonata No. 14 (Mozart) Piano Sonata No. 32 (Beethoven) Schubert's last sonatas; Piano Trio in C minor, MWV Q3 (Mendelssohn) Piano Trio No. 1 (Shostakovich)
Sergei Prokofiev's Piano Sonata No. 1 in F minor, Op. 1 was written in 1909. It consists of a single movement in sonata form. Movements (sub-movements)
Flute Sonata in D, Op. 94 (later arranged as Violin Sonata No. 2, Op. 94a) Symphony No. 5 in B ♭ major, Op. 100; Piano Sonata No. 9 in C major, Op. 103; Symphony No. 6 in E ♭ minor, Op. 111; Ivan the Terrible, Op. 116, music for Eisenstein's film; The Tale of the Stone Flower, Op. 118, ballet in two acts; On Guard for Peace, Op. 124
In his notes accompanying the full set of recordings of Prokofiev's sonatas by Boris Berman, David Fanning states the following: . Whether the restrained, even brooding quality of much of the Fourth Sonata relates in any direct way to Schmidthof's death is uncertain, but it is certainly striking that the first two movements both start gloomily in the piano's low register.