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In the 1994 film Forrest Gump, "Fortunate Son" is played in the scene in which Forrest and Bubba arrive in a combat zone in South Vietnam aboard a U.S. Army helicopter. [31] In the 2004 version of the film The Manchurian Candidate, a cover version of this song performed by Wyclef Jean is featured and is the opening track of the closing credits ...
The album features the songs "Down on the Corner", from which the album got its name, and "Fortunate Son", which is a well-known protest song. [7]Creedence also released its own version of "Cotton Fields" on this album, which reached the No. 1 position in Mexico.
The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits. [4] In Canada, the single reached No. 4 in December 1969, [5] and No. 5 in New Zealand. [6]
[8] Because the songs didn't fit in with Snider's typical songs, he considered simply throwing them away. [9] The album cover is a photo of a masked Snider being held hostage by a hippie. [10] "Fortunate Son" is a cover of the John Fogerty song, with Patty Griffin providing backing vocals.
Dedicating a song to your son must bring on the ultimate feeling of accomplishment. But not everyone is a singer like Josh Brock, so using this song as an ode to your parent-son bond is truly the ...
The U.S. release was originally planned but the label deal fell through. Covers of "Burn" by Deep Purple and "Fortunate Son" by Creedence Clearwater Revival were included on the originally announced track listing, but were dropped from the album's final cut. Dominator is based on the current American foreign policies.
The longtime couple graced the cover of Cosmopolitan's Love Issue on January 27, and they talked about family traditions they share with Dakota and his younger brother Carson (Macaulay and Brenda ...
Both Krieger and Densmore believe that the Doors’ debut album from 1967 and their fast, loose last record with Jim Morrison, 1971’s “L.A. Woman,” were their band’s finest recordings.