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White Witch was an American hard rock band [1] from Tampa, Florida, United States, that made two albums for Capricorn Records in the early 1970s. Their name was a paean to "white magic" , contrary to the " black magic " of groups like Black Sabbath .
Both singles were included in her second album, White Witch. It was a commercial flop and did not chart due to a lack of promotion from Buddah Records as the label was struggling financially at the time. [8] In 1980, she released her third and final album, War Machine, promoted by the anti-war title song.
White Witch is the second studio album by the group Andrea True Connection, released in 1977 by Buddah Records. [1] The album spawned two moderate hit singles: "N.Y., You Got Me Dancing" and "What's Your Name, What's Your Number". White Witch wasn't a commercial success and failed to enter any sales charts. It was the last album released by the ...
List of studio albums, with selected chart positions and certifications shown Title Album details Peak chart positions ... "White Witch" — — 155 — "Head in My ...
An album titled Ni no Kuni: Shikkoku no Madoushi Original Soundtrack was released in Japan in February 2011, featuring music from Ni no Kuni: Dominion of the Dark Djinn. A two-disc soundtrack was later released in March 2013; the first disc is a re-release of the Japanese soundtrack, while the second disc contains additional tracks from Ni no ...
It should only contain pages that are Andrea True albums or lists of Andrea True albums, as well as subcategories containing those things (themselves set categories). Topics about Andrea True albums in general should be placed in relevant topic categories .
The album was released in anticipation of the December 9, 2005 premiere of the film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. By October 2005, the songs "Remembering You" by Steven Curtis Chapman and "Waiting for the World to Fall" by Jars of Clay were already being played on Contemporary Christian radio.
The music on the album was considered underground rock; what made it distinctive was the heavy emphasis on diabolical subject matter, including songs such as "The White Witch of Rose Hall" (based on the story of Annie Palmer), "For Unlawful Carnal Knowledge", "Black Sabbath" and "Dignitaries of Hell".