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In 1730, Johann Gabriel Doppelmayr wrote of Denner: At the beginning of the current century, he invented a new kind of pipe-work, the so-called clarinet... and at length presented an improved chalumeau. [5] On the basis of this passage, Denner has been credited by many with the improvement of the chalumeau and the invention of the clarinet ...
In its early development, the clarinet could not be tuned across the range of the instrument, so the chalumeau was still used for music in the lower range. Later developments in the key work allowed better intonation throughout the range of the clarinet, and the chalumeau register on the clarinet eventually rendered the chalumeau itself ...
Sergei Prokofiev: Sonata for Clarinet and Piano, Op.94 (1943), originally for flute, also arranged for violin; Mario Castelnuovo-Tedesco: Sonata for Clarinet and Piano, Op. 128 (1945) Nino Rota: Sonata in D major for Clarinet and Piano (1945) Mieczysław Weinberg: Sonata for Clarinet and Piano, Op. 28 (1945) Herbert Howells: Clarinet Sonata ...
The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. Some writers reserve a separate category of sopranino clarinets for the E ♭ and D clarinets, [ 1 ] while some regarded them as soprano clarinets.
Monologue for clarinet solo (1956) Serenade for clarinet and string trio, Op. 4 (1919) "Four Pieces" for oboe and piano (1966) Five Pieces for trombone and piano (1967) Flute players serenade: rondo for four flutes (as Thornton Winsloe) Sonata for viola solo, Op. 92 No. 3 (1942) Sonata for viola and piano, Op. 117 (1948) Sonata No. 1 for violin ...
The sonata is now a part of the standard repertoire for clarinet and others outside of the clarinet world have embraced the piece. In 1994 it was orchestrated by Sid Ramin so that it can be played by a solo clarinet with orchestral accompaniment. [7] Yo-Yo Ma has arranged this work for cello and piano. [8]
Brahms’ experience in writing his Clarinet Quintet three years earlier led him to compose the sonatas for clarinet and piano because he preferred the sound over that of clarinet with strings. [6] The keys of the sonatas—F minor and E ♭ major—correspond to the keys of the two clarinet concertos which Weber composed more than eighty years ...
The Clarinet Sonata in E ♭ major, Op. 167, was written by Camille Saint-Saëns in 1921 as one of his last works. This clarinet sonata is the second of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Bassoon Sonata (Op. 168), written the same year.