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Other songs used include "You're an Education" by Al Dubin and Harry Warren which was written for, but never used in Warner Brothers' 1938 feature film Gold Diggers in Paris and the Richard A. Whiting/Johnny Mercer song "We're Working our Way through College" from Warner Brothers' 1937 feature Varsity Show. Carl Stalling supervised the music ...
Songs about school have probably been composed and sung by students for as long as there have been schools. Examples of such literature can be found dating back to Medieval England. [ 1 ] The number of popular songs dealing with school as a subject has continued to increase with the development of youth subculture starting in the 1950s and 1960s.
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Mousieur Herman - November 25, 1955 - Tendlar/Bill Hudson (Note: First with shorter instrumental theme music). Mouseum - February 24, 1956 - Kneitel/Eugster; Will Do Mousework - June 29, 1956 - Knietel/Golden; Mousetro Herman - August 10, 1956 - Sparber/Eugster; Hide and Peak - December 10, 1956 - Tendlar/Morey Reden
Christian Songs is a record chart compiled and published by Billboard that measures the top-performing contemporary Christian music songs in the United States. The data was compiled by Nielsen Broadcast Data Systems based on the weekly audience impressions of each song played on contemporary Christian radio stations until the end of November 2013. [1]
"Get You in the Morning" is a song by Canadian group Crash Test Dummies and was the second and final single [citation needed] from their 1999 album Give Yourself a Hand. This song is one of two songs to feature Ellen Reid on lead vocals.
You see them on the highway, You meet them down the pike, In olive drab and khaki Are soldiers on the hike; And as the column passes, The word goes down the line, Good morning, Mister Zip-Zip-Zip, You're surely looking fine. [repeat chorus twice] The reference to "Camels" and "Fatimas" (fa-tee'-mas) is to popular brands of cigarettes of the time.
"Touch Me in the Morning" is a song recorded by Diana Ross on the Motown label. It was written by Ron Miller and Michael Masser , and produced by the latter and Tom Baird. It was released on May 3, 1973 as the first single from her album of the same name .