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By the late 1960s and the 1970s, jealousy — particularly sexual jealousy — had come to be seen as both irrational and shameful in some quarters, particularly among advocates of free love. [5] Advocates and practitioners of non-exclusive sexual relationships, believing that they ought not to be jealous, sought to banish or deny jealous ...
Jealousy is a common theme in literature, art, theatre, and film. Often, it is presented as a demonstration of particularly deep feelings of love, rather than a destructive obsession. A study done by Ferris, Smith, Greenberg, and Smith [ 65 ] looked into the way people saw dating and romantic relationships based on how many reality dating shows ...
The New Advent Catholic encyclopedia equates jealousy with envy. [4] It describes envy as contrary to the Golden Rule taught by Jesus and contrary to the spirit of solidarity that should permeate all humanity—especially the Christian community. Jealousy, at least in the form of envy, is incompatible with the principles of Christian faith.
It re-enacts the history of modern Japanese literature by absorbing and transforming the Western classic into the Japanese literary context. Afghan novelist Khaled Hosseini's debut novel, The Kite Runner, included Wuthering Heights when Amir asks Soraya what book she is reading. Soraya replies, "It is a sad story."
Griffith Gaunt, or Jealousy is an 1866 sensation novel by Charles Reade. A best-selling book in its day, it was thought by Reade to be his best novel, but critics and posterity have generally preferred The Cloister and the Hearth (1861).
La Jalousie (transl. Jealousy) is a 1957 novel by Alain Robbe-Grillet. [1] The French title: "la jalousie" is a play on words that can be translated as "jealousy", but also as "the jalousie window". La Jalousie is an example of the nouveau roman genre, for which Robbe-Grillet later explicitly advocated in his 1963 Pour un nouveau roman (For a ...
It is a genre of electronic literature, and also related to generative art. John Clark's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [1] [2] while Christopher Strachey's love letter generator (1952) is the first digital example. [3]
A youth catches his boyfriend with a love letter from another, c. 1750. In art, depicting a face reflecting the ravages of jealousy was a frequent studio exercise: see for instance drawings by Charles Le Brun (1619–1690) or Sébastien Leclerc the Younger [], or in a fuller treatment, the howling figure on the left in Bronzino’s An Allegory with Venus and Cupid (probably 1540-50).