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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
We Are Climbing Jacob's Ladder (also known as Jacob's Ladder) is an African American slave spiritual based in part on the Biblical story of Jacob's Ladder.It was developed some time before 1825, and became one of the first slave spirituals to be widely sung by white Christians.
However, his first love continued to be music, and he became the first African-American collector of Negro spirituals. Most African-American spirituals originated in oral tradition, but Work, through his extensive research, was able to compile many songs into the New Jubilee Songs as Sung by the Fisk Jubilee Singers.
"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]
The song was released on the extended play Negro Spirituals Vol. 1 (HMV 7EGN 27), and the song was arranged by Harry Douglas. American contralto Marian Anderson had her first successful recording with a version of the song on the Victor label in 1925. [7] Singer Lena Horne recorded a version of the song in 1946. [8]
Spirituals * Slave Songs of the United States; B. Bosom of Abraham (song) C. Children, Go Where I Send Thee; D. Death Don't Have No Mercy; Deep River (song) Dem Bones ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Many popular sources claim that spirituals and other songs, such as "Steal Away" or "Follow the Drinkin' Gourd", contained coded information and helped individuals navigate the railroad, but these sources offer little traditional archival evidence to support their claims. Some scholars who have examined these claims tend to believe that while ...