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Its melody is searching, simple, major key, and has simple lyrics. [3] "Let us break bread together" follows in the tradition of most Black spirituals. Black spirituals were mostly composed by African slaves who had no training in western music. [2] The tune varied but became known widely after publication in The Second Book of Negro Spirituals ...
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
The song was released on the extended play Negro Spirituals Vol. 1 (HMV 7EGN 27), and the song was arranged by Harry Douglas. American contralto Marian Anderson had her first successful recording with a version of the song on the Victor label in 1925. [7] Singer Lena Horne recorded a version of the song in 1946. [8]
John Wesley Work Jr. (1871–1925)—also known as John Work II—spent three decades at the historically black college in Nashville, Tennessee, Fisk University, collecting and promulgating the "jubilee songcraft" of the original Fisk Jubilee Singers—an African-American a cappella Fisk University student chorus (1871–1878), [8] known for introducing a wider audience to spirituals.
"Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis, both Choctaw freedmen.
Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]
Lyrics as by J. W. Johnson & J. R. Johnson (1926) at negrospirituals.com; Art of the States: Piano Sonata No. 4 musical work quoting the spiritual by African-American composer George Walker; Sometimes [permanent dead link ] a 1976 work for tenor and tape by Olly Wilson, based on the spiritual.