Ads
related to: navajo weaving techniques
Search results
Results From The WOW.Com Content Network
In Navajo weaving, the slit weave technique common in kilims is not used, and the warp is one continuous length of yarn, not extending beyond the weaving as fringe. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs. Textiles with representational imagery are called pictorial.
From them she learned sheep herding and shearing, and how to work with wool. She learned to spin and card wool, and traditional Navajo weaving techniques. [5] Her mother taught her to identify plants to make dyes and to understand the dyeing process. [6] At the age of 12, Begay sold her first rug.
Irene Hardy Clark is a Navajo weaver. Her matrilineal clan is Tabaahi (water's edge people) and her patrilineal clan is Honagha nii (he walks around one people). Her technique and style is primarily self-taught, incorporating contemporary and traditional themes. [1] Her mother, Glenebah Hardy, mentored her in traditional techniques.
As a jewelry artist, her work is informed by both Navajo and Pueblo tribal traditions combined with a modern and global aesthetic, with rich textures. [ 1 ] [ 10 ] [ 11 ] She is inspired by Navajo weaving designs, as her aunts were rug weavers , but also takes inspiration from traditional Puebloan motifs .
Chilkat weaving and Ravenstail weaving are regarded as some of the most difficult weaving techniques in the world. A single Chilkat blanket can take an entire year to weave. In both techniques, dog, mountain goat, or sheep wool and shredded cedar bark are combined to create textiles featuring curvilinear formline designs.
For premium support please call: 800-290-4726 more ways to reach us