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In 2010, the Board published one last edition Urdu Lughat. [3] In 2016, Aqeel Abbas Jafari was appointed as the Chief Editor of the Board. [5] In 2017, the digital version of Urdu Lughat was released. [6] [7] Since 2019, the Board was not assigned another Chief Editor, and 37 out of the total 55 staff seats were vacant due to lack of funding. [8]
UrduPoint is an Urdu-language web portal in Pakistan, launched on 14 August 2000.As of April 2016, it ranked as the 6th most visited website in Pakistan and held a global rank of 1045 (April 2016).
A quotation or quote is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. [1] In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying.
Paintābē پَینتابے - socks; in standard Urdu it would be مَوزے "mauzē". Tumārē ku تمارے کو - you, instead of tumhen تمہیں or tumko تمکو in standard Urdu; Tērē ku تیرے کو (informal slang) - you, instead of tujhe or tujhko in standard Urdu; Uney اُنے - he/she, instead of woh in standard Urdu.
Begone, Demons (Arabic: اخرج منها يا ملعون ukhruj minhā yā malʿūn; also translated as Get Out You Damned, or Get Out of Here, Curse You!) [1] is Saddam Hussein's fourth and last novel. It is a fictional novel, with political metaphor. It is thought to have been written in anticipation of the 2003 Iraq War in 2002 or 2003. [2]
Her sleepwalking scene in the fifth act is a turning point in the play, and her line "Out, damned spot!" has become a phrase familiar to many speakers of the English language . The report of her death late in the fifth act provides the inspiration for Macbeth's " Tomorrow and tomorrow and tomorrow " speech.
Naʽat (Bengali: নাত and Urdu: نعت) is poetry in praise of the Islamic prophet, Muhammad. The practice is popular in South Asia (Bangladesh, Pakistan and India), commonly in Bengali, Punjabi, or Urdu. People who recite Naʽat are known as Naʽat Khawan or sanaʽa-khuaʽan.
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]