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When used as an adjective, "realistic" (usually related to visual appearance) distinguishes itself from "realist" art that concerns subject matter. Similarly, the term "illusionistic" might be used when referring to the accurate rendering of visual appearances in a composition.
Ibsen's realistic drama in prose has been "enormously influential." [57] In opera, verismo refers to a post-Romantic Italian tradition that sought to incorporate the naturalism of Émile Zola and Henrik Ibsen. It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower ...
Ibsen's realistic drama in prose has been "enormously influential." [1] It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure.
Realistic, an album by Ivy; Realism (Steril album), an album by Steril; Realism (The Magnetic Fields album), an album by The Magnetic Fields; The Realist (American magazine), a satirical magazine; The Realist (British magazine), a magazine dedicated to scientific humanism
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. [1]
James Abbott McNeill Whistler, Nocturne: Blue and Gold – Old Battersea Bridge (1872), Tate Britain, London, England. Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1]
To promote the willing suspension of disbelief, a fictional text needed to have credibility. Anything physically possible in the worldview of the reader or humanity's experience was defined as credible. Through verisimilitude then, the reader was able to glean truth even in fiction because it would reflect realistic aspects of human life.
Philosophical realism—usually not treated as a position of its own but as a stance towards other subject matters—is the view that a certain kind of thing (ranging widely from abstract objects like numbers to moral statements to the physical world itself) has mind-independent existence, i.e. that it exists even in the absence of any mind perceiving it or that its existence is not just a ...