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The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent.
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Martin Julius Esslin OBE (6 June 1918 – 24 February 2002) was a Hungarian-born British producer, dramatist, journalist, adaptor and translator, critic, academic scholar and professor of drama, known for coining the term "theatre of the absurd" in his 1961 book The Theatre of the Absurd. This work has been called "the most influential ...
The Theatre of the Absurd as a dramatic form inherently pushes theatre to the extreme, while posing questions about what both reality and unreality truly look like. [27] Martin Esslin named the four defining playwrights of the Theatre of the Absurd movement as Samuel Beckett, Arthur Adamov, Eugène Ionesco, and Jean Genet. [30]
Ionesco is often considered a writer of the Theatre of the Absurd, a label originally given to him by Martin Esslin in his book of the same name. Esslin, placed Ionesco alongside contemporaries Samuel Beckett, Jean Genet, and Arthur Adamov, calling this informal group "absurd" on the basis of Albert Camus' concept of the absurd. In Esslin's ...
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Referencing Martin Esslin's concept of a Theatre of the Absurd, Tavel promoted the first Ridiculous performances with the manifesto: "We have passed beyond the absurd: our position is absolutely preposterous." [2] Theatre of the Ridiculous broke from the dominant trends in theater of naturalistic acting and realistic settings. The genre ...
Major General Dwight Eisenhower (1890 - 1969), commander of the American Forces in the European theatre of war, at the time of his promotion, by President Roosevelt, to Lieutenant General on July ...