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The painting is a study for a series of three mosaics created by Klimt for a 1905-1911 commissioned work at the Stoclet Palace in Brussels, Belgium. The mosaics were created in the artist's Late Works period and depict swirling Trees of Life, a standing female figure, and an embracing couple. The mosaics are spread across three walls of the ...
Tree of Life detail from the Stoclet Frieze. The Stoclet Frieze is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905–1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling Tree of life, a standing female figure and an embracing couple.
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility.They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle.
Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, [1] and his works are marked by a frank eroticism. [2]
The work is part of Klimt's series of Allegories and Emblems, whose intent was to translate life's most significant moments, and its psychological nuances, into forms of metaphorical intensity. 05: 1895 – Music I (oil on canvas, 37 cm × 44.5 cm) Allegoric representation of Music, which Klimt painted several times in various renderings.
A portrait by Gustav Klimt that was unseen for almost a century has sold for $32 million – the bottom end of its pre-auction estimate.. The “Portrait of Fräulein Lieser,” thought to be one ...
The work features women in varying stages of age, symbolizing the cycle of life. The three are central on the canvas and are the focal point of the work. The background has a lack of depth, making it look very two dimensional. The colors are neutral and create a restful effect. [2] Klimt's common use of colorful motifs is also evident in this work.
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