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Sonnet 18 (also known as "Shall I compare thee to a summer's day") is one of the best-known of the 154 sonnets written by English poet and playwright William Shakespeare.. In the sonnet, the speaker asks whether he should compare the Fair Youth to a summer's day, but notes that he has qualities that surpass a summer's day, which is one of the themes of the poem.
Shakespeare's sonnets are considered a continuation of the sonnet tradition that swept through the Renaissance from Petrarch in 14th-century Italy and was finally introduced in 16th-century England by Thomas Wyatt and was given its rhyming metre and division into quatrains by Henry Howard.
Sonnet 16 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is among those sonnets referred to as the procreation sonnets, within the Fair Youth sequence. Although the previous sonnet, Sonnet 15, does not overtly discuss procreation, Sonnet 16 opens with "But..." and goes on to make the encouragement clear.
Sonnet 118 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Sonnet 17 is an English or Shakespearean sonnet, consisting of three quatrains followed by a couplet.It follows the form's typical rhyme scheme: abab cdcd efef gg.Sonnet 17 is written in iambic pentameter, a form of meter based on five pairs of metrically weak/strong syllabic positions.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
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Sonnet 98 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the persona expresses his love towards a young man. It is the second of a group of three sonnets (97 to 99) to treat a separation of the speaker from his beloved.