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Midas parent Klark Teknik took over the SuperMAC and HyperMAC patents in 2007, then in 2009 Midas and Klark Teknik were acquired by Uli Behringer's Music Group. The AES50 protocol is implemented in digital mixing consoles by Midas and Behringer to transfer digital audio between a console and remote stage boxes .
A Midas Heritage 3000 mixing console on the right at the Front of House position at an outdoor concert. Beginning in 1998, Midas introduced the Heritage series consoles, including the H3000, H2000, H1000, and H4000. Midas introduced their first digital console, the flagship XL8, at Musikmesse Frankfurt in 2006.
The Midas XL8 was the first digital mixing console produced by Midas, previously a leading manufacturer of analogue mixing consoles for live sound. The introduction of the console came after years of digital console competition by Yamaha , Digidesign , and DiGiCo .
For instance, the Midas Consoles XL4 concert mixing console has a built-in 8×8 matrix summing 8 subgroups into 8 matrix outputs; the same basic module is available separately as the Midas XL88 (see photograph). The digital Yamaha M7CL mixing console is another such product; it has a 19×8 matrix section summing 16 mixes as well as the main ...
In fact, many of the digital mixer's functions are easier to operate from a computer screen than the actual mixing console. Digidesign's Venue Profile mixer on location at a corporate event. This mixer allows plugins from third-party vendors. Another advantage of DMCs is the abundance of control features that it provides for each input channel.
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