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Engravers Shaded (1906) Norwood Roman (1906), made for J. S. Cushing’s Norwood Press. Engravers Old English (1906), based upon Caslon Text and designed in association with "Cowan" or perhaps Joseph W. Phinney. [3] Engravers Old English Bold (1910) Clearface series, designed with the help of his father, Linn Boyd Benton. Clearface (1907)
Engravers Old English (1906, Benton), based upon Caslon Text and designed in association with "Cowan" or perhaps Phinney. Engravers Old English Bold (1910, Benton) Engravers Shaded (1906, Benton) Lithographic Shaded (1914, Benton + W. F. Capitian), a half-shaded version of Engravers Shaded. Engravers Text (1930, Benton) Flemish Black (1902 ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. [2]
Engravers Old English (1901), usually credited to Benton. Flemish Black (1902) An adaptation of Priory Text, an 1870s version of William Caslon ’s Caslon Text of 1734. Cheltenham Oldstyle + italic (1902), developed from Bertram Goodhue 's architectural lettering by either Phinney or Benton .
A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. The original Clarendon design, a quite condensed design, did not feature an italic, and many early Clarendon designs, such as wood type headline faces, have capitals only with no lower-case letters, leaving many options for individual adaptation.
Engravers Upright Script, (8-30pt), ATF 1631, original: Pen Text No.5 (~1879) of the Cincinnati Type Foundry, renamed by BB&S, while dropping the fancy capitals [14] Engravers Gothic , (6s-30pt), ATF 1622, earlier name: Olympia from Inland Type Foundry At ATF classified as a "Typo-face" [ 15 ]
The resulting face could show off the high quality of printing technology of the time: James Mosley has described Bulmer's editions: "The type was, however, only one ingredient in the ensemble which Bulmer managed to striking success...the good ink, the consistently good presswork and the superb Whatman paper are combined in one of the few ...