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The standard situations of finding love are presented in an entertaining way. Ovid includes details from Greek mythology, everyday Roman life and general human experience. The Ars amatoria is composed in elegiac couplets, rather than the dactylic hexameters, which are more usually associated with the didactic poem.
"Alysoun" or "Alison", also known as "Bytuene Mersh ant Averil", is a late-13th or early-14th century poem in Middle English dealing with the themes of love and springtime through images familiar from other medieval poems. It forms part of the collection known as the Harley Lyrics, and exemplifies its best qualities. [1]
The lyric poetry of Europe in this period was created by the pioneers of courtly poetry and courtly love largely without reference to the classical past. [11] The troubadors , travelling composers and performers of songs, began to flourish towards the end of the 11th century and were often imitated in successive centuries.
The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]
The six best-known English male authors are, [citation needed] in order of birth and with an example of their work: William Blake – The Marriage of Heaven and Hell; William Wordsworth – The Prelude; Samuel Taylor Coleridge – The Rime of the Ancient Mariner; George Gordon, Lord Byron – Don Juan, "Childe Harold's Pilgrimage"
Remedia Amoris (also known as Love's Remedy or The Cure for Love; c. 2 AD) is an 814-line poem in Latin by Roman poet Ovid.In this companion poem to The Art of Love, Ovid offers advice and strategies to avoid being hurt by love feelings, or to fall out of love, with a stoic overtone.
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The final couplet in poem often function as a "punch-line" conclusion, not only summarizing the poem, but also delivering the key thematic idea. [19] One example of Ovid's "argumentative" structure can be found in II.4, where Ovid begins by stating that his weakness is a love for women.