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This article lists symphonies that are numbered and have an additional nickname, and symphonies that are primarily known by their name and/or key. Also various compositions that contain "symphony" or "sinfonia" in their name are included, whether or not strictly speaking they adhere to the format of a classical symphony.
This is an alphabetically ordered list of sub-titles, nicknames and non-numeric titles that have been applied to classical music compositions of types that are normally identified only by some combination of number, key and catalogue number. These types of compositions include: symphony, concerto, sonata, and standard chamber music combinations ...
Also, in 1990, another attempt at a complete Haydn cycle on period instruments began with the Hanover Band led from the keyboard by Roy Goodman for Hyperion Records. Unfortunately, after releasing 57 symphonies on 17 CDs, this project ran out of funds in 1994. There are two active attempts to record the complete cycle on period instruments.
The symphony has long been popularly referred to as "the Bear". As with the nicknames of all Haydn's symphonies, it did not originate with the composer. Instead, the name derives from a recurring feature from the last movement (including its famous opening), in which Haydn imitates the tonality of bagpipes or Dudelsack: a low sustained drone, accentuated by a grace-note on the downbeat.
The Symphony No. 48 in C major, Hoboken I/48, is a symphony by Joseph Haydn written in 1768 or 1769. The work has the nickname Maria Theresa as it was long thought to have been composed for a visit by the Holy Roman Empress, Maria Theresa of Austria in 1773. An earlier copy dated 1769 was later found, but the nickname has stuck. [1]
The symphony was completed in 1787, just like his 89th symphony. It is one of Haydn's best-known works, even though it is not one of the Paris or London symphonies and does not have a descriptive nickname. It is sometimes referred to as The Letter V referring to an older method of cataloging Haydn's symphonic output.
Symphony No. 22 in E ♭ major, Hoboken I/22, is a symphony written by Joseph Haydn in 1764, under the auspices of the benign Prince Nikolaus Esterházy. Its nickname is "The Philosopher" (German "Der Philosoph"). The Haydnsaal in Eisenstadt. Click to enlarge.
Heartz suggests instead that the "folk song" was the result of someone providing words in folk style to a tune original with Haydn. [9] The dispute reflects a wider pattern in the interpretation of folk-like material in Haydn's compositions; see Haydn and folk music.