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According to the Cuban popular music "Generic complex theory", Cuban folk music is classified as follows: Punto cubano Complex, with its variations Punto libre y Punto fijo. Rumba Complex, with its components Yambú, Guaguancó, Columbia, Conga and Comparsa. Danzón Complex, with its variants Contradanza, Danzón, Danzonete, Mambo and Cha-cha-chá.
Trova is a style of Cuban popular music originating in the 19th century. Trova was created by itinerant musicians known as trovadores who travelled around Cuba's Oriente province, especially Santiago de Cuba, and earned their living by singing and playing the guitar. [1]
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/mambo-based structure which had dominated popular music in Cuba since the 1940s.
When Raimundo died in 1905, his brother Pablo became Director. It was, like Flor de Cuba, the most popular típica of its day. [6] Under cornetist Pablo Valenzuela, the band became one of the earliest to record Cuban music, in 1906 with Edison cylinders (about 40), 1909 with Columbia Records (23) and with Victor (56).
Two albums related to the song "Macarena" hit the top spot of the chart: Macarena Non Stop by Los del Río, which spent four non-consecutive weeks at number-one, starting on August 3, 1996, and Macarena Mix, a compilation album with music by Sandalo, Manolos, El Lupe and The Sacados, which spent nine weeks at number-one from September 21 ...
The best Cuban lyrical singer in the 20th century was the operatic tenor Francisco Fernandez Dominicis (Italian name: Francesco Dominici) (1885-1968). The best Cuban female lyrical singer in the 20th century was the mezzo-soprano Marta Perez (1924-2009). She sang at La Scala in Milan, Italy in 1955. [71]
A marímbula, the "bass" instrument used by changüí ensembles. Some groups used the more rudimentary jug known as botija or botijuela.. Although the history of Cuban music dates back to the 16th century, the son is a relatively recent musical invention whose precursors emerged in the mid-to-late 19th century.
Many Cuban artists recorded their own versions of the song throughout the years, including Celia Cruz in 1963 and Papaíto in 1980. A charanga arrangement by Rafael Lay was recorded by Orquesta Aragón in 1956 for the 1958 album Maracas, bongó y congas. [8] The Sexteto Habanero, historically the Nacional's main competitor, recorded the song in ...