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Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [ 1 ]
Another well-known item of clothing for women in this era was the bulaji, a dress that was Soviet-inspired both in name and style. [21] The dual-purpose jacket was one of the most common and recognisable styles for Chinese women in the 1950s and 1960s, alongside the Lenin jacket, military-style clothing and work clothing. [22]
Many Han Chinese and other ethnicities readily adopted Mongol clothing in Northern China to show their allegiance to the Mongols; however, in Southern China, Mongol clothing was rarely seen as both men and women continued to dress in Song-style garments.
The textile industry in China is the largest in the world in both overall production and exports. [1] China exported $274 billion in textiles in 2013, a volume that was nearly seven times that of Bangladesh, the second largest exporter with $40 billion in exports. [2] This accounted for 43.1% of global clothing exports. [3]
An indigo formal ritual clothing, worn by Taoism priests in the Quanzhen order; the blue colour is a symbolism for the East. [27] It is cross-collared. [32] Unknown – Present Da gua 大褂 "Great gown" [27] It is a common type of informal, daily clothing worn by Taoists; in present days, it is mostly narrow-sleeved and blue in colour. [32]
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.