Search results
Results From The WOW.Com Content Network
The term Navajo Pueblitos, also known as Dinétah Pueblitos, refers to a class of archaeological sites that are found in the northwestern corner of the American state of New Mexico. The sites generally consist of relatively small stone and timber structures which are believed to have been built by the Navajo people in the late 17th and early ...
The Great White Throne in Zion National Park is an example of white Navajo Sandstone Stevens Arch, near the mouth of Coyote Gulch in the Canyons of the Escalante, is formed from a layer of Navajo Sandstone. The opening is 220 feet (67 m) wide and 160 feet (49 m) high.
Etched into rock panels on the lower southwest walls of the canyon are petroglyphs or rock art depicting what is believed to be ceremonial scenes and symbolic images that represent the stories, traditions and beliefs of the Navajo people. Dating back to the 16th, 17th, and 18th centuries, the petroglyphs have maintained their integrity despite ...
Navajo National Monument is a national monument located within the northwest portion of the Navajo Nation territory in northern Arizona, which was established to preserve three well-preserved cliff dwellings of the Ancestral Puebloan people: Keet Seel (Broken Pottery) (Kitsʼiil), Betatakin (Ledge House) (Bitátʼahkin), and Inscription House (Tsʼah Biiʼ Kin).
Rammed earth trombe wall built as part of a project. Design Build Bluff is a program of The University of Utah's College of Architecture + Planning, where each year, architecture graduate students are immersed in a hands-on opportunity to design and build a full-scale work of architecture in collaboration with the Navajo people.
Petrified Forest National Park is a national park of the United States in Navajo and Apache counties in northeastern Arizona.Named for its large deposits of petrified wood, the park covers about 346 square miles (900 square kilometers), encompassing semi-desert shrub steppe as well as highly eroded and colorful badlands.
In response to increasing demand for Navajo art from White Americans in the 20th century, some Navajo weavers created blankets that resemble sand paintings. In order to cater to the demand while avoiding the blasphemy of saving the sand images after sundown, weaving artists have often intentionally changed details of original sand paintings. [9]
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.