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This piece is not to be confused with the Prelude and Fugue in A minor, which is also for organ and also sometimes called "the Great". [1] [2] Bach's biographer Spitta and some later scholars think that the Fugue was improvised in 1720 during Bach's audition for an organist post at St. James' Church in Hamburg.
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.
Toccata and Fugue in D minor (BWV 565) – possibly Bach's transcription of a violin work, or indeed a piece by another composer; Bairstow, Edward. Organ Sonata (1937) Beethoven, Ludwig van. Fugue in D major for organ, WoO 31 (1783) Berlioz, Hector. Hymne pour l’élévation in D major for organ, H 100 (1844)
The earliest extant manuscript copies of the piece originated in the 1710s (early version) and 1720s (revised version). The piece was most likely composed in the early years of Bach's tenure at Weimar (1708–1717). The revised version must have been completed at least half a year before Bach moved from Köthen to Leipzig in the spring of 1723.
Despite this, there was still much confusion. Some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's, giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).
Fugue in G minor, BWV 578, (popularly known as the Little Fugue), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707). It is one of Bach's best known fugues and has been arranged for other voices, including an orchestral version by Leopold Stokowski .
One of the last pieces he entered, likely around the time when moving to Bitterfeld (1735–1736), was a Suite by Petzold containing, together with eight other movements, the G major/G minor combined Minuet, otherwise only known as Nos. 4 and 5 of Anna Magdalena Bach's second notebook.
It is considered Bach's most significant and extensive work for organ, containing some of his most musically complex and technically demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and ...