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Crazing is a spider web pattern of cracks penetrating the glaze. It is caused by tensile stresses greater than the glaze is able to withstand. [1] [2] Common reasons for such stresses are: a mismatch between the thermal expansions of glaze and body; from moisture expansion of the body; and in the case of glazed tiles fixed to a wall, movement of the wall or of the bonding material used to fix ...
These words, much like similar signs today, warned visitors to enter at their own risk and served as protection over the more private quarters of the home. The rest of the vestibule floor was decorated in a tesserae or checker-like pattern, in black and white tiles. This pattern was framed by a border of two black stripes that surrounded the room.
A tile mosaic is a digital image made up of individual tiles, arranged in a non-overlapping fashion, e.g. to make a static image on a shower room or bathing pool floor, by breaking the image down into square pixels formed from ceramic tiles (a typical size is 1 in × 1 in (25 mm × 25 mm), as for example, on the floor of the University of ...
These are commonly made of ceramic or stone, although recent technological advances have resulted in rubber or glass tiles for floors as well. Ceramic tiles may be painted and glazed. Small mosaic tiles may be laid in various patterns. Floor tiles are typically set into mortar consisting of sand, Portland cement and often a latex additive.
Mosaic of Triton and a Nereid, Baths of Buticosus. This small bathhouse (I, XIV, 8) was constructed during the reign of Trajan circa 110 C.E. and remodeled in the middle of the second century C.E. [19] This bath is typical of many of the balnea in Ostia, where the rooms are built into the established city grid leading to a chaotic interior layout often without a palaestra.
A Roman mosaic on a wall in the House of Neptune and Amphitrite, Herculaneum, Italy, 1st century AD. A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, [1] on both floors and walls, though they competed with cheaper frescos for