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  2. Chromatic circle - Wikipedia

    en.wikipedia.org/wiki/Chromatic_circle

    For instance, assuming 12-tone equal temperament, to move from any C on a keyboard to the nearest E, one must move up four semitones, corresponding to four clockwise steps on the chromatic circle. One can also move down by eight semitones, corresponding to eight counterclockwise steps on the pitch class circle.

  3. Semitone - Wikipedia

    en.wikipedia.org/wiki/Semitone

    The semitone appeared in the music theory of Greek antiquity as part of a diatonic or chromatic tetrachord, and it has always had a place in the diatonic scales of Western music since. The various modal scales of medieval music theory were all based upon this diatonic pattern of tones and semitones.

  4. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Whole tone: Unusual Augmented scale: Augmented scale on C. Play ... Two-semitone tritone scale: Two-semitone tritone scale on C. Play ...

  5. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one half step. The word chromatic comes from the Greek chroma, color; and the traditional function of the chromatic scale is to color or embellish the tones of the major and minor scales. It does not define a key, but it gives a sense of ...

  6. Mode of limited transposition - Wikipedia

    en.wikipedia.org/wiki/Mode_of_limited_transposition

    Starting on any degree of the mode gives the same sequence of intervals, and therefore the whole tone scale has only 1 mode. Messiaen's mode 2, or the diminished scale, consists of semitone, tone, semitone, tone, semitone, tone, semitone, tone, which can only be arranged 2 ways, starting with either a tone or a semitone. Therefore, mode 2 has ...

  7. Regular tuning - Wikipedia

    en.wikipedia.org/wiki/Regular_tuning

    In general, the left-handed involute of the regular tuning based on the interval with semitones is the regular tuning based on its involuted interval with semitones: All-fourths tuning is based on the perfect fourth (five semitones), and all-fifths tuning is based on the perfect fifth (seven semitones), as mentioned previously. [21]