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Galatea 2.2 is a 1995 pseudo-autobiographical novel by American writer Richard Powers and a contemporary reworking of the Pygmalion myth. [1] The book's narrator shares the same name as Powers, with the book referencing events and books in the author's life while mentioning other events that may or may not be based upon Powers' life.
Powers is a creator-owned comic book series written by Brian Michael Bendis and illustrated by Michael Avon Oeming.The series' first volume was published by Image Comics from 2000 to 2004, the latter moving to Marvel Comics as a part of its Icon imprint.
The Silmarillion (Quenya: [silmaˈrilːiɔn]) is a book consisting of a collection of myths [a] [T 1] and stories in varying styles by the English writer J. R. R. Tolkien.It was edited, partly written, and published posthumously by his son Christopher Tolkien in 1977, assisted by Guy Gavriel Kay, who became a fantasy author.
The central character is a precog, Curtis or Curt, who uncovers the existence of 'anti-psi's' - humans with the ability to cancel out or nullify the powers of the psionic mutants. He attempts to get the non-psychic or 'Norm'-led government to officially recognize the anti-psi's, knowing that this could balance out the corrupting power that the ...
As the balance of power began to shift in favor of humans, the darklings created the Blue Hour to escape to by collapsing the twenty-fifth hour of the day. At the time the novel begins, steel and other alloys , particularly newer and more advanced alloys, are the most common and effective tools used by Midnighters to combat darklings.
The Rowan (1990) is a science fiction novel by American writer Anne McCaffrey, the first book in The Tower and the Hive series (also known as The Rowan series). It is set in the universe of the "Pegasus" trilogy, against a backdrop of a technologically advanced society in which telepathy, psychokinesis and other psychic talents have become scientifically accepted and researched.
According to Richard Powers, [4] [The] aim in The Echo Maker is to put forward, at the same time, a glimpse of the solid, continuous, stable, perfect story we try to fashion about the world and about ourselves, while at the same time to lift the rug and glimpse the amorphous, improvised, messy, crack-strewn, gaping thing underneath all that narration.
The story has little or no obvious plot. It follows a neurosurgeon, Powers, who is in a state of mental and physical decline. He works at a research clinic in a landscape of hills and dry salt lake beds somewhat like that of the deserts of California. Powers has resigned, as he finds his hours of wakefulness getting shorter and shorter.