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The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [ 1 ] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, [ 2 ] banjoline and bandoline in France ...
Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete ...
A tuning pin is a tuning peg with a detachable grip, ... The corresponding part of the lute family (including guitar, mandolin, banjo, ukulele) is called the headstock.
Usually, courses of 2 adjacent strings are doubled (tuned to the same pitch). The standard octave mandolin tuning is G 2 G 2 −D 3 D 3 −A 3 A 3 −E 4 E 4, The standard tuning of both the octave and standard mandolin would be GG,DD,AA,EE from lowest to highest string. fourth (lowest tone) course: G 2 (97.9989 Hz) third course: D 3 (146.832 Hz)
The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. [2] The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards.
The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.
An instrument with a mandolin neck paired with a banjo-style body was patented by Benjamin Bradbury of Brooklyn in 1882 and given the name banjolin by John Farris in 1885. [57] Today banjolin is sometimes reserved to describe an instrument with four strings, while the version with the four courses of double strings is called a mandolin-banjo.
which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string. All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form