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The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...
The 77-DX has been used on countless vocal recordings by Bing Crosby, Kate Smith, Frank Sinatra, Elvis Presley, Johnny Cash, Al Green, and many others. It is still sought after today for use in recording brass instruments. Audio engineers experienced with the 77-DX can position the microphone at different angles to modify its frequency response.
The microphone came with a switch to tailor the mid-bass response, attenuating frequencies below 400 Hz with a mild high-pass filter. Like all premium microphones made by EV, it used EV's 1930s humbucker method of reducing electromagnetic interference by wiring a humbucking coil out of polarity with the microphone element coil. The microphone's ...
In scenes for a movie the microphone may be held above, out of the picture frame. Processing: If the signal is destined to be heavily processed, or mixed down, a different type of input may be required. The use of a windscreen for outdoor recording or a pop shield to reduce vocal plosives.
[17] [18] This was improved in 1930 by Alan Blumlein and Herbert Holman who released the HB1A and was the best standard of the day. [14] Also in 1923, the ribbon microphone was introduced, another electromagnetic type, believed to have been developed by Harry F. Olson, who applied the concept used in a ribbon speaker to making a microphone. [19]