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Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah. Handel uses a cantus firmus on long repeated notes especially to illustrate God's speech and majesty, such as "King of Kings" in the Hallelujah chorus. [6]
Handel's first biographer, John Mainwaring, wrote in 1760 that this conclusion revealed the composer "rising still higher" than in "that vast effort of genius, the Hallelujah chorus". [129] Young writes that the "Amen" should, in the manner of Palestrina, "be delivered as though through the aisles and ambulatories of some great church". [132]
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
Handel used four voice parts, soprano (S), alto (A), tenor (T) and bass (B) in the solo and choral movements. Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. Handel uses both polyphon and homophon settings to illustrate the text.
In Handel’s great chorus, the word is joyous, victorious, accompanied by trumpets and drums. In Sergei Rachmaninoff’s "All Night Vigil," however, hallelujah reflects a more quiet devotion.
G. F. 헨델 - 할렐루야 (오라토리오 '메시아' 중에서) Hallelujah chorus, from Händel's Messiah / 국립합창단, 지휘 윤의중: Author: Mormon Tabernacle Choir: Software used: Xiph.Org libVorbis I 20120203 (Omnipresent) Lavf58.29.100; Date and time of digitizing: 20:00, 2 December 2019
Handel,_Messiah,_Hallelujah_Chorus_closing_bars_01.wav (WAV audio file, length 16 s, 1.41 Mbps overall, file size: 2.75 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The anthem concluded with the "Hallelujah" chorus from Messiah, a piece that had not yet gained widespread popularity at the time. It is possible that it was at this performance that royalty first stood for the "Hallelujah" chorus, establishing a long tradition, rather than at the 1743 London premiere of Messiah attended by King George II , as ...