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Punch, or The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells.Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration.
Pages in category "Punch (magazine) cartoonists" The following 61 pages are in this category, out of 61 total. This list may not reflect recent changes. A.
John Leech (29 August 1817 – 29 October 1864) was a British caricaturist and illustrator. [1] He was best known for his work for Punch, a humorous magazine for a broad middle-class audience, combining verbal and graphic political satire with light social comedy.
J.B. Handelsman (February 5, 1922 – June 20, 2007) was a New York-born cartoonist and illustrator whose work appeared for decades in The New Yorker, Punch, Playboy, and other United States and British publications. His sister was American writer Edith Anderson.
In 1893 he founded, with Arnold Golsworthy, the humorous and artistic monthly The Butterfly (1893–94, revived in 1899–1900) but began his most prominent association with a publication when his drawings appeared in Punch in December 1895. [2] By 1901 he had joined the staff of Punch as the junior political cartoonist under Bernard Partridge. [3]
Drew Panckeri has come a long way from the kid who spent recess sketching funny drawings instead of playing outside. Born in Point Pleasant, New Jersey, he earned his degree in multimedia and web ...
He began drawing for Punch in 1889. [3] [4] He remained a Punch contributor until his death. In 1893, Punch first published one of his most popular cartoon series, Prehistoric Peeps, [5] which was turned into the silent film Prehistoric Peeps in 1905. E.T. Reed succeeded Harry Furniss as the political caricaturist of Punch in 1893. His ...
Tenniel contributed around 2,300 cartoons, innumerable minor drawings, many double-page cartoons for Punch's Almanac and other specials, and 250 designs for Punch's Pocket-books. [9] By 1866 he could "command ten to fifteen guineas for the reworking of a single Punch cartoon as a pencil sketch," alongside his "comfortable" Punch salary "of ...