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In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
Tibetan khaden (sleeping rugs) with designs typical of 19th century weavings. Tibetan carpets from the 19th century (perhaps earlier, though mostly carpets from the 19th century survive) are relatively restrained in terms of design and coloring, carpet makers at that time being restricted to a narrow range of natural dyes including madder (red), indigo (blue), Tibetan rhubarb (yellow) and ...
An Anatolian carpet pattern depicted on Jan van Eyck's “Paele Madonna” painting was traced back to late Roman origins and related to early Islamic floor mosaics found in the Umayyad palace of Khirbat al-Mafjar. [79] Rugs were produced in the court manufactures as special commissions or gifts (some carpets included inwoven European coats of ...
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The composition and common shapes of the details are created on the basis of the composition "lachak turanj", which is formed by the foliate curve-linear patterns. However, with time the patterns of this composition became dotted and created an independent carpet pattern. Normally, the carpet was woven from memory, without a sketch.
Anatolian double-niche rug, Konya region, circa 1750–1800. LACMA M.2004.32 Bergama rug, west Anatolia, first half of 18th century.. Anatolian rug or Turkish carpet (Turkish: Türk Halısı) [1] is a term of convenience, commonly used today to denote rugs and carpets woven in Anatolia and its adjacent regions.