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Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
Shure SM7B microphone used in an interview with Marius Bear The Shure SM7 is a professional cardioid dynamic microphone , commonly used in broadcasting applications since 1973. Designed by Shure , it has been described as an "iconic" industry standard microphone for its focused, directional sound and its widespread adoption in radio, television ...
The microphone kit (two SM57 microphones, windscreens, microphone stands, and black right-angle XLR cables) is referred to as the VIP/high-profile microphone kit. The SM57 is a popular choice of musicians due to its sturdy construction and ability to work well with instruments that produce high sound pressure levels , such as percussion ...
The Neumann U 87 is a poly-directional large-diaphragm condenser microphone. Originally introduced in 1967, a version of the U 87 is still produced by Georg Neumann GmbH. The U 87 became an industry standard recording microphone, a reputation that continues to endure. [1] [2] The U 87 was inducted into the TECnology Hall of Fame in 2006. [3]
A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. It is produced with about a 5:3 ratio, with nulls at 126.9°. This ratio maximizes the front-back ratio; the energy ratio between front and rear radiation. [50] [51] The sub-cardioid microphone has no null points. It is produced ...
The Sennheiser MD 421 is a German cardioid dynamic microphone, widely used for speech in broadcasting and for music in live concerts and the recording studio. Introduced in 1960, the internal large-diaphragm transducer element of the MD 421 is still produced unchanged by Sennheiser .
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.