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Bill Hensley, Mountain Fiddler, Asheville, North Carolina. Old time (also spelled old-time or oldtime) fiddle is the style of American fiddling found in old-time music.Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka.
Appalachian music is the music of the region of Appalachia in the Eastern United States.Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles (particularly Scotland), and to a lesser extent the music of Continental Europe.
Name of fiddler Nationality Genre(s) Joseph Allard: Canadian: French-Canadian Ruby Allmond: American: Country Darol Anger: American: Jazz Jason Anick: American
Cluck Old Hen" (Roud 4235), also known by variants like "Cacklin' Hen" is a popular Appalachian fiddle and banjo tune [1] in the mixolydian or dorian mode (as in the score below which is in A dorian). It is played either as an instrumental or with lyrics, which vary from one version to another.
Old-time Dick Burnett, Leonard Rutherford & Byrd Moore: 1928 Gennett Ge 6706 Old-time banjo, fiddle, guitar Frank Hutchison: 1929 OKeh OK44570 Old-time guitar with vocal Blind James Howard: 1933 Library of Congress Old-time fiddle Recorded for LOC by John Lomax Gid Tanner and The Skillet Lickers: 1934 Bluebird BB B-5434 Old-time fiddle, guitar ...
Within old time music there are regional subgenres, such as the Deep South and Appalachia, where fiddle music is often intertwined with cultural phenomena such as coal mining. A comprehensive review of old time fiddle styles was written by David Reiner and Peter Anick and published in 1989. [5]
This category includes fiddlers who play old-time music in the Southern Appalachian (called simply "Appalachian") style, both players who live in Appalachia as well as those who do not. See also: Appalachian old-time music
Ambrose Gaines "Uncle Am" Stuart (1853–1926) was an American Old-time fiddle player. After winning various fiddle contests across the Southern Appalachian region in the late 19th and early 20th centuries, Stuart made several recordings in June 1924 that would later prove influential in the development of early Country music.