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"One Way or Another" is a song by American new wave band Blondie from their 1978 album Parallel Lines. Lyrically, the song was inspired by Blondie frontwoman Deborah Harry's experience with a stalker in the early 1970s, an incident which forced her to move away from New Jersey.
"One Way or Another" is a song by English rock band Uriah Heep. It was released on their ninth studio album High and Mighty in May 1976, [4] and became the only single from the album and the last single with the band's former vocalist, David Byron. The song was written by Ken Hensley and featured lead vocals from John Wetton and Ken Hensley
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett , titled "It's a Man Down Here", appeared on the Billboard record charts in 1965.
The song became a big hit in Europe in the first half of 1979, topping charts in Austria and Switzerland, and reaching top 10 across Europe. This song inspired the item song "Hari Om Hari" from the Hindi film Pyara Dushman (1980). "One Way Ticket" is now one of the band's trademark hits, along with their cover of "I Can't Stand the Rain".
One Way is an American R&B and funk band that was popular in the late 1970s, and throughout most of the 1980s, led by singer Al Hudson. The group's most successful record was " Cutie Pie ", which reached number 4 on the Billboard Soul Singles chart and number 61 on the pop chart in 1982.
"One Way Ticket (Because I Can)" or simply "One Way Ticket" [1] is a song written by Judy Rodman and Keith Hinton, and recorded by American country music artist LeAnn Rimes. It was released in September 1996 as the third single from the album Blue .
"One Way Ticket" is the lead single from British rock band ... Its lyrics explicitly deal with cocaine use and addiction. The beginning of the song features a pan ...
One Way Ticket" is a 1967 song co-written by American composer Stephen J. Lawrence, which became Helen Reddy's first single. The lyrics were written by Bruce Hart . It was introduced by Gloria Loring on her 1968 MGM Records album, Today , produced by Bob Morgan. [ 1 ]