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During World War II, the relations between art and war can be articulated around two main issues. First, art (and, more generally, culture) found itself at the centre of an ideological war. Second, during World War II, many artists found themselves in the most difficult conditions (in an occupied country, in internment camps , in death camps ...
The Commission for Art Recovery has characterized Switzerland as "a magnet" for assets from the rise of Hitler until the end of World War II. [13] Researching and documenting Switzerland's role "as an art-dealing centre and conduit for cultural assets in the Nazi period and in the immediate post-war period" was one of the missions of the ...
Art theft and looting occurred on a massive scale during World War II. It originated with the policies of the Axis countries, primarily Nazi Germany and Japan, which systematically looted occupied territories. Near the end of the war the Soviet Union, in turn, began looting reclaimed and occupied territories. "The grand scale of looted artwork ...
At the end of the war the entire depot stored 6,577 paintings, 137 sculptures, and 484 crates of other art, [3] as well as furniture, weapons, coins, and library collections, including some of Adolf Hitler's so-called Führerbibliothek (Führer's library).
Even before the U.S. entered World War II, art professionals and organizations such as the American Defense Harvard Group and the American Council of Learned Societies (ACLS) were working to identify and protect European art and monuments in harm’s way or in danger of Nazi plundering. The groups sought a national organization affiliated with ...
The last art piece to leave the museum was the Winged Victory of Samothrace, which was moved on September 3, 1939, the day the French ultimatum to Germany expired. [7] Throughout the war, the art pieces were clandestinely moved from château to château to avoid being taken back by the Nazis. [1]
It follows an Allied group from the Monuments, Fine Arts, and Archives program that is given the task of finding and saving pieces of art and other culturally important items before Nazis destroy or steal them during World War II. [4] [5] The Monuments Men was co-produced by Columbia Pictures (in association with 20th Century Fox) and ...
The Statue of Liberty featured as the "Yank pin-up girl" at the end of the war. The women who posed for the pin-ups included both famous and unknown actresses, dancers, athletes, and models. Betty Grable and Rita Hayworth, the most famous pin-up models of World War II, both appeared in Yank pin-ups. Grable appeared in June 1943 wearing a ...