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In Greek and Roman theatre, makeup was unnecessary. Actors wore various masks, allowing them to portray another gender, age, or entirely different likeness. [1] Thespis, considered to be the first actor, used white lead and wine to paint his face. [2] In medieval Europe, actors altered their appearances by painting their faces a different color.
As far as the vase paintings are concerned, most of these are dated later than the 5th century BCE and their relationship with theatrical practice is unclear. One of the earliest examples is a red-figure vase painting c. 500-490 BCE that shows a tragic chorus invoking a ghost, on a crater (bowl) in the Antikenmuseum in Basle.
[citation needed] Conversely, there are scholarly arguments that death in Greek tragedy was portrayed off stage primarily because of dramatic considerations, and not prudishness or sensitivity of the audience. [13] A temple nearby, especially on the right side of the scene, is almost always part of the Greek theatre complex.
Originating in the theatre of ancient Greece, the masks were said to help audience members far from the stage to understand what emotions the characters were feeling. [ 1 ] The crying mask is often ascribed the name Melpomene , after the Muse of tragedy, sometimes abbreviated as Melpo , while the laughing mask is named for Thalia , the Muse of ...
The sock and buskin, like the comedy and tragedy masks, are associated with two Greek Muses, Melpomene and Thalia.Melpomene, the Muse of tragedy, is often depicted wearing buskins and holding the mask of tragedy, while Thalia, the Muse of comedy, is often depicted wearing the comic's socks and holding the mask of comedy.
Greek theatre, most developed in Athens, is the root of the Western tradition; theatre is a word of Greek origin. [2] It was part of a broader culture of theatricality and performance in classical Greece that included festivals, religious rituals, politics, law, athletics and gymnastics, music, poetry, weddings, funerals, and symposia.
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This would be the standard for theatrical make-up until 1914 when makeup artist Max Factor created Flexible Greasepaint that was more reflective of the lighting on movie sets. [10] Although make-up would evolve dramatically from Baudin's invention, theatrical make-up is, to this day, not too far removed from the original blend of fats and pigment.