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Beethoven regarded it as the best of his early sonatas, though some of its companions in the cycle have been at least as popular with the public. [ 1 ] Prominent musicologist Donald Francis Tovey has called this work the crowning achievement and culmination of Beethoven's early "grand" piano sonatas (the "grand" modifier was applied by ...
The Piano Sonata No. 19 in G minor, Op. 49, No. 1, and Piano Sonata No. 20 in G major, Op. 49, No. 2, are short sonatas by Ludwig van Beethoven, published in 1805 (although the works were actually composed a decade earlier in early to mid 1797 [1]). Both works are approximately eight minutes in length, and are split into two movements.
The slow movement is centred on F ♯ minor, which is a third interval down from the B ♭ major key of the first two movements. [33] It is Beethoven's longest slow movements [34] (e.g. Wilhelm Kempff played for approximately 16 minutes and Christoph Eschenbach 25 minutes).
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
The structure of the sonata is unconventional in that the piece opens with a relatively slow movement in the format of theme and variations (Mozart did the same in his Piano Sonata No. 11). The third movement incorporates a funeral march , clearly anticipating the watershed of the Eroica Symphony that Beethoven wrote in 1803–1804.
The second movement is in ternary form (or sonata form without development [4]).It opens with a highly ornamented lyrical theme in 3 4 time in F major (mm. 1–16). This is followed by a more agitated, 5-measure transitional passage in D minor (mm. 17–22) accompanied by quiet parallel thirds, followed by a passage full of thirty-second notes in C major (mm. 23–31). [4]