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Series one of Let's Learn Japanese was made in 1984 and 1985. It was presented by Mary Althaus and featured a number of skits, featuring Mine-san (Yusuke Mine), Sugihara-san (Miki Sugihara), and Kaihō-san (Hiroyuki Kaihō), who were designed to help the viewer memorize, and practice the use of, new words and grammatical structures.
Traditionally, a number of different sizes were defined for large sheets of paper, and paper sizes were defined by the sheet name and the number of times it had been folded. Thus a full sheet of "royal" paper was 25 × 20 inches, and "royal octavo" was this size folded three times, so as to make eight sheets, and was thus 10 × 6 + 1 ⁄ 4 inches.
Visualization with paper sizes in formats A0 to A8, exhibited at the science museum CosmoCaixa Barcelona An A4 paper sheet folded into two A5 size pages. ISO 216 is an international standard for paper sizes, used around the world except in North America and parts of Latin America.
Popular design. Genkō yōshi (原稿用紙, "manuscript paper") is a type of Japanese paper used for writing. It is printed with squares, typically 200 or 400 per sheet, each square designed to accommodate a single Japanese character or punctuation mark.
The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana.Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis.
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Mutsuhanbon (六半本, "one-sixth books"), also known as masugata-bon (枡形本, "square books"), are 1/6 the size of a full sheet of paper, and are square when closed. Yokohon (横本, "horizontal books") are 1/8 the size of a full sheet of paper when closed (that is, the same width as a yotsuhan book, but half as high).
Japanese calligraphy was influenced by, and influenced, Zen thought. For any particular piece of paper, the calligrapher has but one chance to create with the brush. The brush strokes cannot be corrected, and even a lack of confidence shows up in the work. The calligrapher must concentrate and be fluid in execution.