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Toga candida: "Bright toga"; a toga rubbed with chalk to a dazzling white, worn by candidates (from Latin candida, "pure white") for public office. [11] Thus Persius speaks of a cretata ambitio, "chalked ambition". Toga candida is the etymological source of the word candidate. Toga pulla: a "dark toga" was supposed to be worn by mourners at ...
Bronze monument to Francis II, the last Holy Roman emperor, wearing a corona triumphalis and toga. The honours included the right to wear triumphal dress in public: the corona triumphalis (a gold coronet fashioned in the shape of a laurel wreath with dangling gold ribbons); an ivory baton; the tunica palmata (a tunic embroidered with palm-leaves); and the toga picta ("painted toga"), a toga ...
Man in "toga" outfit. A toga party was depicted in the 1978 film Animal House, which propelled the ritual into a widespread and enduring practice. Chris Miller, who was one of the writers of Animal House, attended Dartmouth College where the toga party was a popular costume event at major fraternity parties (such as Winter Carnival and Green Key Weekend) during the late 1950s and early 1960s.
The toga itself was the garment of the civilian at peace, and was worn by the triumphator to mark his laying down of arms and the cessation of war. The use of the palm in this setting indicates how the original meaning of "victory" shaded into "peace" as the aftermath of victory. [16]
The late toga of adult citizens, the toga virilis, was made of plain white wool and worn after the age of fourteen. A woman convicted of adultery might be forced to wear a toga as a badge of shame and curiously, as a symbol of the loss of her female identity. The ancient Romans were aware that their clothing differed from that of other peoples.
The toga virilis ("toga of manhood") was a semi-elliptical, white woolen cloth some 6 feet (1.8 m) in width and 12 feet (3.7 m) in length, draped across the shoulders and around the body. It was usually worn over a plain white linen tunic. A commoner's toga virilis was
It was worn as a symbol and represented a woman's marital status, and it was also worn by the Roman Vestal priestesses. [ 14 ] [ 15 ] There are no physical remains of any stola . The matron’s stola usually served as an intermediate garment and was worn over the undertunic ( subucula ) and under the cloak ( pallium ).
Picture of an equestrian dressed in his rank toga and tunic, the angusticlavia. In ancient Rome, an angusticlavia, angusticlavus or angustus clavus was a narrow-strip tunic (tunica) with two narrow vertical Tyrian purple stripes (clavi, singular clavus). The tunic was typically worn under the toga with the right side stripe visible. [1]