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The site's critics consensus reads: "Despite its fur-midable cast, this Cats adaptation is a clawful mistake that will leave most viewers begging to be put out of their mew-sery." [ 84 ] On review aggregator Metacritic , the film has a weighted average score of 32 out of 100 based on 51 critics, indicating "generally unfavorable reviews". [ 85 ]
Cats is a 1998 British direct-to-video musical film based on the 1981 stage musical by Andrew Lloyd Webber, itself based on Old Possum's Book of Practical Cats (1939) by T. S. Eliot. Lloyd Webber oversaw orchestration and called on Gillian Lynne, the show's original choreographer, to train the cast members.
Jellylorum is a principal character in the musical Cats.One of the Jellicle cats, she is usually portrayed as a motherly caretaker and is principally a vocalist.The musical is based on the 1939 collection of poems by T. S. Eliot from Old Possum's Book of Practical Cats, and Jellylorum is named after the poet's own cat.
Macavity the Mystery Cat, also called the Hidden Paw, is a fictional character and the main antagonist of T. S. Eliot's 1939 poetry book Old Possum's Book of Practical Cats. He also appears in the Andrew Lloyd Webber 1981 musical Cats , which is based on Eliot's book.
It’s been 20 years today since I had the honor of bringing this iconic character to life,” Berry, 57, wrote via Instagram on Tuesday, July 23, alongside a slideshow of her posing topless with ...
Michael Gruber as Munkustrap in the 1998 Cats film. Munkustrap is a Jellicle cat from T. S. Eliot's 1939 poem "The Naming of Cats". [1] He is a principal character and the main narrator in Andrew Lloyd Webber's 1981 musical Cats, which is based on Eliot's poems. Munkustrap is the storyteller and guardian of his tribe.
Old Deuteronomy is a character in T. S. Eliot's 1939 Old Possum's Book of Practical Cats and its 1981 musical adaptation, Cats. He is a wise and beloved elderly cat, further serving as the Jellicle patriarch in the musical. [1] The role of Old Deuteronomy was originated by Brian Blessed in the West End in 1981, and by Ken Page on Broadway in 1982.