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The qasida may have emerged in this context, in the process of their negotiations of status with Arabophone kings that were invoking earlier notions of Arabian kingship. Supporting this is the fact that a number of the earliest reported qasidas were directed to the Ghassanids and Lakhmids . [ 4 ]
The qasida (qṣīda in Moroccan Arabic) of the malhun is based on two essential elements: the overtures preceding it and the parts of which it is composed: aqsam (Arabic: الأقسام) verses sung solo interrupted by the harba refrain (meaning launch) (Arabic: الحربة).
The qasida contains three subtopics or recurring themes; the nasib or the story of a destroyed relationship and home, the fakhr which portrays self-praise for a tribe or oneself, and the rahil which is a journey into the desert involving camels.
Qasida, a form of Arabic poetry This page was last edited on 9 October 2024, at 19:26 (UTC). Text is available under the Creative Commons ...
The qasida was typical for major poetic genres. The madih praised and honored a great man, while the martiyya or ritza commemorated the death of a great man. The satirical hiya or hichá ridiculed enemies, although this form is much more prominent in Arabic poetry.
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Probably deriving from the descriptions of the abandoned campsite and beloved in the ancient qasida's erotic prelude, and of animals and landscape in the journey section, or rahiil, it evolved into a genre of its own in Abbasid Baghdad and later in Spain. The tradition in Arabic was highly developed, with poets often devoting entire collections ...
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