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Mudejar plasterwork, sometimes called Yeseria, includes all the Islamic motifs, such as epigraphic, “atauriques,” or arabesque ornament, and geometrical motifs, although motifs of Christian art are also included, such as Gothic vegetables and shields, they are depicted in the rhythm of Islamic tradition, which plays an important role in ...
It is also a term for Mudéjar art, which was much influenced by Islamic art, but produced typically by Christian craftsmen for Christian patrons. Mudéjar was used in contrast to both Muslims in Muslim-ruled areas (for example, Muslims of Granada before 1492) and Moriscos , who were often forcibly converted and may or may not have continued to ...
Meanwhile, in the former territories of al-Andalus under the control of the Spanish kingdoms of Léon, Castile and Aragon, Andalusi art and architecture continued to be employed for many years as a prestigious style under new Christian patrons, becoming what is known as Mudéjar art (named after the Mudéjars or Muslims under Christian rule ...
The development in the twelfth century Mudejar art in Aragon is a consequence of the political, social and cultural conditions that prevailed in Spain after the Reconquista. This art, influenced by Islamic tradition, also reflects various contemporary European styles, particularly Gothic.
Mudéjar architecture — created by Islamic and Christian artisans, primarily in post-Reconquista territories of the Iberian Peninsula.; Historical Mudéjar works are located in present day Spain and Portugal.
Typical Plateresque façades, like those of altarpieces, were made as carefully as if they were the works of goldsmiths, and decorated as profusely.The decoration, although of various inspirations, was mainly of plant motifs, but also had a profusion of medallions, heraldic devices and animal figures, among others.
The Mudejar tower began to be erected in 1257; its lower part is a barrel vault that passers-by can walk through. It is one of the oldest Mudéjar towers in Spain. It is square in shape with three sides profusely decorated with azulejos and ceramic glaze. The top is an octagonal roof lantern from the 17th century.
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