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Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones . Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and ...
A tuning is a sequence of pitches to which the strings are tuned. A stringing is a set of string gauges (and very occasionally other string parameters) that support one or more tunings. Just as many stringings support more than one tuning, so for many tunings there is more than one common stringing.
Listeners accustomed to more tonal tuning, such as meantone and well temperaments, notice many other notes are "off". Harmonics on C, from 1st (fundamental) to 32nd harmonic (five octaves higher). Notation used is based on the extended just notation by Ben Johnston Harmonic series as musical notation with intervals between harmonics labeled.
The rototom is a shell-less drum developed by Al Payson and Michael Colgrass that is able to change pitch by rotating its drumhead around a threaded metal ring. [1] Unlike many types of drums, rototoms are designed to have a variable definite pitch leading composers to write specific notes for them as pitched percussion instruments.
Drum charts include their own musical vocabulary. The music written for drummers is not the same as, say, a pianist. Drummers use their own symbols and language in their charts. For example, a "middle C" note written on a staff for pianists is equivalent to the "snare drum" for drummers. Or, the note "F" on the piano staff is equal to the "bass ...
The baya construction and tuning is about a fifth to an octave below that of the daya drum. The musician uses their hand's heel pressure to change the pitch and tone colour of each drum during a performance. [4] [13] The head of each drum has a central area of "tuning paste" called the syahi (lit. "ink"; a.k.a. shāī or gāb).
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
Guqin music uses no absolute pitch so tuning varies. The common Zheng Diao tuning sets "do" to approx. "F 3" and tunes other strings relative to that to give C 3 D 3 F 3 G 3 A 3 C 4 D 4. Gusli: 9 strings 9 courses. Standard/common: E 3 A 3 B 3 C 4 D 4 E 4 F 4 G 4 A 4. Крыловидные гусли Russia Tuning varies; this is a common ...