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The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Susanna and the Elders, 1610, earliest of her surviving works, Schönborn Collection, Pommersfelden. Artemisia Lomi Gentileschi was born in Rome on 8 July 1593, although her birth certificate from the Archivio di Stato indicates she was born in 1590.
Isabella d'Este (19 May 1474 – 13 February 1539) was the Marchioness of Mantua and one of the leading women of the Italian Renaissance as a major cultural and political figure. She was a patron of the arts as well as a leader of fashion and her innovative style of dressing was emulated by many women.
Notable women associated with the Renaissance era (circa 1450-1600). Subcategories. This category has the following 5 subcategories, out of 5 total. 0–9.
The Lady with an Ermine [n 1] is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491 , the work is painted in oils on a panel of walnut wood . Its subject is Cecilia Gallerani , a mistress of Ludovico Sforza ("Il Moro"), Duke of Milan ; Leonardo was painter to the Sforza court in Milan at the time of ...
In Renaissance usage, the Italian word cortigiana, feminine of cortigiano ("courtier"), came to refer to a person who attends the court, and then to a well-educated and independent woman, eventually a trained artist or artisan of dance and singing, especially one associated with wealthy, powerful, or upper-class society who was given luxuries ...
Veronica Franco was born to a family in the Cittadino class. [1] She developed her position in Renaissance Venetian society as a cortigiana onesta (Honest Courtesan), who were intellectual sex workers who derived their position in society from refinement and cultural prowess.
La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.