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Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism , the Counter Reformation and Catholic Revival, [ 1 ] [ 2 ] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread ...
The Swiss-born art historian Heinrich Wölfflin (1864–1945) started the rehabilitation of the word Baroque in his Renaissance und Barock (1888); Wölfflin identified the Baroque as "movement imported into mass", an art antithetic to Renaissance art. He did not make the distinctions between Mannerism and Baroque that modern writers do, and he ...
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.
17th-century French art is generally referred to as Baroque, but from the mid- to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
Open form is a term coined by Heinrich Wölfflin in 1915 to describe a characteristic of Baroque art opposed to the "closed form" of the Renaissance. [2] Wölfflin tentatively offered several alternative pairs of terms, in particular "a-tectonic" and "tectonic" (also free/strict and irregular/regular), but settled on open/closed because, despite their undesirable ambiguity, they make a better ...
Baroque painting is associated with the Baroque cultural movement, a movement often identified with Absolutism and the Counter Reformation or Catholic Revival; [46] [47] the existence of important Baroque painting in non-absolutist and Protestant states also, however, underscores its popularity, as the style spread throughout Western Europe. [48]
Her life is pieced together in the Getty's 'Artemisia Gentileschi' biography — part of a series on women artists of the Renaissance and Baroque eras.
This, his most famous painting, is a triumph of illusionism for the centre of the ceiling appears open to the sky and the figures seen from below appear to come down into the room as well as soar out of it”. [2] Stucco became one of the overall key characteristics of Baroque interiors, enhancing wall spaces, niches, and ceilings.