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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
In it, the older Spanish verbal inflections -ades, -edes, -odes have become -ás, -és, and -ós:" [5] "vos cantáis", "vos coméis", "vos sois." The Llanero (plainsman) dialect is spoken in the Venezuelan plains, Los Llanos. One of its characteristics is a considerable aboriginal lexicon, a product of the fusion of Spanish with Indigenous ...
The Catalan rumba (Catalan: rumba catalana, IPA: [ˈrumbə kətəˈlanə]) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba , with influences from Cuban music and rock and roll .
Cuban rumba, a traditional Cuban music genre; Galician rumba, a music genre of Galicia, Spain, influenced by Cuban music. Rhumba, also known as ballroom rumba, an American style of ballroom music; Rumba flamenca, a style of flamenco; Catalan rumba, a Spanish popular music style; Rumba criolla, a genre of Colombian popular music
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
Like the rumba flamenca, the Galician rumba originated from a fusion of certain Cuban and Spanish elements of style. The characteristics of that new genre are similar to those of the new song-dances that appeared in the Caribbean Basin area during the 19th century, which were the result of a combination of Iberian and African elements.