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Gou Tanabe (ç°éå, Tanabe GÅ) is a Japanese manga artist who is especially known for his adaptations of literary works by American writer H. P. Lovecraft. His manga has been translated into English , French , German , Spanish and Italian .
Japanese artist Gou Tanabe created a two-volume graphic novel [29] with the same name, translated into English by Dark Horse Manga in 2019. The Mountains of Madness is an audiovisual musical adaptation of the works of H. P. Lovecraft by Tiger Lillies , Danielle de Picciotto and Alexander Hacke .
Ron Marz adapted the story for Dynamite Entertainment in 2014, crossing over Lovecraft's story with The Shadow franchise, therefore creating a double meaning in the title and having the characters of Lamont Cranston and Margo Lane find themselves trapped within the town. Gou Tanabe adapted the story into a manga in 2020.
The manga artist Junji Ito is heavily influenced by Lovecraft. [48] Gou Tanabe has adapted some of Lovecraft's tales into manga. [49] Issue #32 of The Brave and the Bold was heavily influenced by the works and style of Lovecraft.
In 2009, Manga artist Gou Tanabe adapted The Temple in the manga magazine Comic BEAM. The adaptation changes the time period to World War II. It was later collected with the artist’s adaptations of The Hound and The Nameless City in 2014. The collection would later be published in English by Dark Horse Comics in 2017.
Gou Tanabe adapted the story into a manga in 2016. Julian Simpson released a fourth season of his BBC Radio 4 podcast series The Lovecraft Investigations adapting The Haunter of the Dark in October 2023.
Roddy McDowall was the narrator of the story on a 1966 LP release (Lively Arts 30003) that also included the Lovecraft story "The Hound". The 1995 Stuart Gordon film Castle Freak is based upon this story and "The Rats in the Walls". A reboot/remake of the 1995 film was released in 2020. Gou Tanabe adapted the story into a manga in 2007.
S. T. Joshi points to Berkeley Square, a 1933 fantasy film, as an inspiration for The Shadow Out of Time: "Lovecraft saw this film four times in late 1933; its portrayal of a man of the 20th century who somehow merges his personality with that of his 18th-century ancestor was clearly something that fired Lovecraft's imagination, since he had ...